These photographs were taken from September 2008 through January 2010. Unlike Volume One, this set of photographs does not conform to a six-month timeline. Instead, this volume exists over a longer period of time while looking at personal aesthetic choices through the restricted rectangular view of a Yashica Mat 124 camera.
This set of photographs utilizes the square format as a common threshold and boundary. The photographs become graphically charged through the conscious use of a symmetrical form. Each photograph creates a visual dialog that is continually enclosed within the perfect square.